The final days in the Bunker, with Hitler becoming more and more paranoid, plumbing the depths of his madness and reaching his well deserved fate.

The final days in the Bunker, with Hitler becoming more and more paranoid, plumbing the depths of his madness and reaching his well deserved fate.

David Brinkley hosts this shattering two-hour documentary about the trial of the man whose role in deporting the Jews of Europe for extermination made him the target of a 15-year manhunt by Israeli agents. Rare videotapes of the trial, exclusive interviews with courtroom witnesses, prosecutors, and others recount the emotionally explosive proceedings.

A young girl becomes the great love of the Nazi leader's life. It spans the years between 1929 and 1945, and focuses on Hitler's obsessive relationship with his niece Geli Raubal, which eventually led to the girl's suicide, then goes on to tell the story of how Eva Braun became his wife.

A young girl becomes the great love of the Nazi leader's life. It spans the years between 1929 and 1945, and focuses on Hitler's obsessive relationship with his niece Geli Raubal, which eventually led to the girl's suicide, then goes on to tell the story of how Eva Braun became his wife.

If you're an ABBA fan or just a fan of good music in general, this assortment of 35 music videos which spans ABBA's career from 1974's Waterloo to 1982's Under Attack is indeed definitive. Simply put, it's a fantastic collection of music and images that mostly focuses on the 1970's era of ABBA's career, because that's when they reigned supreme in their international pop music kingdom.

Jailer Sidhant Kumar is nicknamed Hitler at work for being the toughest supervisor, but at home, his wife rules the roost.

This biopic profiles history's most spectacular madman, tracing his journey from humble roots to complete mastery of Germany.

In the summer of 1931, with Germany on the brink of economic collapse, and the city of Berlin turning into a paramilitary war-zone, audacious young prosecutor Hans Litten (Stoppard) chose to summon a star witness to a trial of Nazi thugs. In spite of the risk to his own safety and against the advice of those who love him, Litten forced rising political star Adolf Hitler (Hart) to make a sensational appearance in the witness stand of Berlin's central criminal court. Litten aimed to expose the true character of Hitler and his politics to the German public, to reveal his hypocrisy and his violent ambitions, and in doing so, halt the electoral success of the Nazi Party. In a humiliating and hostile cross-examination, Hitler was forced to account for his political beliefs, his contempt for the law and his desire to destroy German democracy. For a brief moment, Hitler's political future was genuinely in the balance.

Presented by Alan Yentob, the return of the BBC One’s flagship arts strand opens with a remarkable two part special, The Art That Hitler Hated. These films, from award-winning director Jill Nicholls, explore the sensational discovery of a hoard of art hidden by a reclusive old man in his Munich flat. The find sheds new light on the fate of many paintings looted by the Nazis and puts the question of restitution back centre stage. This is a story full of coincidences, cover-ups and denial, which has reignited passions that seemed long spent. 　　Film 1 　　With the strange tale of Cornelius Gurlitt’s treasure trove as a springboard, imagine… dives deep into an intriguing past. It uncovers a lost world of Jewish collectors. This was art Hitler thought as sickly and ‘degenerate’ as the Jews themselves; he tried to rid Germany of both. Their pictures were seized, scattered or sold at knockdown prices before the owners fled into exile or were killed. Imagine follows the trail of the old man’s father, Hildebrand Gurlitt, art dealer to the Nazis. It opens a new window onto the history of the Third Reich and its campaign against modern art 　　Film 2 – The Sins of the Fathers 　　imagine… tells how the end of the war was only the beginning of another battle. In the art world in Germany, it was ‘business as usual’. Many people continued in jobs in museums which they had held during Nazi times. So people involved in looting art might now be in charge of deciding whether to return it. For families, often living in exile, it was an uphill struggle. For them the discovery of the Gurlitt hoard has raised new hopes – and repeated some old disappointments.